Over 8,000 people were forced by their guilt and very real fear to act for the existence of the three tribes. Intensely, and with militaristic discipline, they engaged in a tremendous project lasting over five years and costing more than 100 lives in accidents, and almost 500 lives from sickness. The first purpose of the project was to hide the evidence of that night: Hide the very large and heavy silver beast that would point blame directly to them for the massacre on Salisbury Plaines.
At that first meeting regarding the beast, Yavo, who began the massacre, was chastised thoroughly in a verbal assault by the Elders of all tribes. He was ordered to personally move the pulverized and bloody bodies into the dark innards of the giant bird that had carried them. Yavo accepted this as his responsibility and began moving the bodies. After dragging the fourth body into the well of the ramp, Yavo very bravely and very cautiously toured the surroundings. He saw the bridge and its many lights and controls, and could see a large display screen showing the area in front of the ramp. But inside the picture was a smaller picture, a zoomed-in image of himself in the moments before he acted to kill the first visitor. He touched the screen and was astonished to discover it was a flat world within that he could not penetrate. He tried to push his hand through, he poked at it with his fingers. His bewilderment and wonder became anger and fear. He told himself "This is evil magic," then delivered more than one hundred blows of his axe to the large image screen, and to all of the lights and every control panel with illumination. Outside of the saucer the people could hear the violence and the foreign sounds of smashing glass and metal. Hunters crowded the opening to investigate the awful sounds, fearful, but wanting to assist Yavo. But no one entered to help him. Frantic and enraged with fear, Yavo dashed out of the beast quickly. The moment his feet left the end of the ramp, as if operated by a ghost, the ramp closed and the skin of the vessel seemed to seal the thin crack outlining the ramp on the saucer's surface. The ramp never opened again. The experience inside the giant bird left Yavo in great fear for his life. Because he had seen his reflection in one of the flat machines, he knew they wanted to kill him for his role in beginning the tragedy. And he feared for his family, and all of the people, as was sure more of the aliens would come one day. Yavo refused to be near the vessel from that day until the project's end. The frightening experience inspired him with a strong determination to get rid of the beast. No one man among the thousands was effected so much as Yavo by the entire experience of the following five years. It was not long after the day that he began to feel as the victim of the visitors. As it was all their fault that they happened to him and his people. In anger and passion Yavo became a work-master and the hardest driver of labor, for the project to follow. In character he grew stronger than any men of any tribe. He was not an elder but his following, developed in just a few months, considered his word to be just as powerful. He was key in several decisions involving the heavy stones which allowed the project to proceed.
At that first meeting regarding the beast, Yavo, who began the massacre, was chastised thoroughly in a verbal assault by the Elders of all tribes. He was ordered to personally move the pulverized and bloody bodies into the dark innards of the giant bird that had carried them. Yavo accepted this as his responsibility and began moving the bodies. After dragging the fourth body into the well of the ramp, Yavo very bravely and very cautiously toured the surroundings. He saw the bridge and its many lights and controls, and could see a large display screen showing the area in front of the ramp. But inside the picture was a smaller picture, a zoomed-in image of himself in the moments before he acted to kill the first visitor. He touched the screen and was astonished to discover it was a flat world within that he could not penetrate. He tried to push his hand through, he poked at it with his fingers. His bewilderment and wonder became anger and fear. He told himself "This is evil magic," then delivered more than one hundred blows of his axe to the large image screen, and to all of the lights and every control panel with illumination. Outside of the saucer the people could hear the violence and the foreign sounds of smashing glass and metal. Hunters crowded the opening to investigate the awful sounds, fearful, but wanting to assist Yavo. But no one entered to help him. Frantic and enraged with fear, Yavo dashed out of the beast quickly. The moment his feet left the end of the ramp, as if operated by a ghost, the ramp closed and the skin of the vessel seemed to seal the thin crack outlining the ramp on the saucer's surface. The ramp never opened again. The experience inside the giant bird left Yavo in great fear for his life. Because he had seen his reflection in one of the flat machines, he knew they wanted to kill him for his role in beginning the tragedy. And he feared for his family, and all of the people, as was sure more of the aliens would come one day. Yavo refused to be near the vessel from that day until the project's end. The frightening experience inspired him with a strong determination to get rid of the beast. No one man among the thousands was effected so much as Yavo by the entire experience of the following five years. It was not long after the day that he began to feel as the victim of the visitors. As it was all their fault that they happened to him and his people. In anger and passion Yavo became a work-master and the hardest driver of labor, for the project to follow. In character he grew stronger than any men of any tribe. He was not an elder but his following, developed in just a few months, considered his word to be just as powerful. He was key in several decisions involving the heavy stones which allowed the project to proceed.
"Out of still-present fear the storytellers would substitute its truthful facets with fantastical Earthly subjects."
All Rights Reserved: James Gray Mason, 2015
#Stonehenge #Neolithic #ScienceFiction #Fiction #UnitedKingdom #HerMajesty #MI5 #NSA #CIA #TimeTravelWish #Sol3 #JamesGMason #UFO #Mufon #YouAssholes ! :-)
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